books

Dec. 26th, 2019 03:28 pm
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Red, White, and Royal Blue, Casey McQuiston. Fun m/m new-adult romance I saw heavily recced earlier this year. Definitely enjoyable if "the US president's son falls in love with a British prince" is the kind of thing you would enjoy. I thought it read like fanfic in the best way - if you loved "The Student Prince" or "Drastically Redefining Protocol" or the one where Charles Xavier is the prince and Magneto is a photographer, well, you probably read this months ago, who am I even talking to. But there's also an enjoyable fantasy-American-politics plot that you don't get in those UK-focused stories, so, hey, wish fulfillment in multiple directions. Anyways, the romance is great, really nicely paced, with a great development of the affection and connection between them, so if *that's* the kind of thing you like, definitely recommended. (Content note for a lot of drunkenness, some of which leads to public embarrassment but most of which is presented as awesome and fun, which I wasn't always comfortable with but probably anybody else would be.)

Vessel, Lisa Nichols. I was excited about this but it was bad, and I kept reading it to see if it would get better but it didn't. I'm picky about contemporary NASA-set sf but absolutely nothing about the space part of this story seemed like how anything would actually work. And I know the vast majority of people still believe in monogamy but I'm sorry, if you come back after being presumed dead and your spouse is with someone else, congratulations they're your metamour now and you have to have a fucking conversation! Like, really, *nobody in this contemporary setting* has ever heard of nonmonogamy and it's just obvious to everyone that the only two possible outcomes are the mutually-exclusive monogamous pairings?

Wayward Son

Nov. 2nd, 2019 12:32 pm
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A key thing you might want to know, which I didn't, is that Wayward Son isn't exactly a sequel to Rainbow Rowell's Carry On (which I talked about here), it's the second book of a trilogy of which Carry On is now retroactively the first book. The third book, Any Way the Wind Blows, doesn't have a date announced yet, but is supposed to be "soon", but I think she's still writing it, so, we'll see. Anyways, as you might infer from my emphasis of its middle-book status, Wayward Son stirs up various issues and then ends without resolving anything but the very most immediate situations. As you might also have guessed, I found it a lot less fun than Carry On. Rowell is working with some really interesting themes that I would claim are things I'm deeply interested in - what happens Afterwards, how do you go on and create a new life and new identity for yourself after something happens that makes you lose or give up the way you identified yourself previously - and maybe in the next book it will turn out she has something satisfying to say about all that, having set it up in this one. This book, sort of paradoxically, felt like it had too much going on and yet nothing really happened? The emotional beats didn't quite connect and line up, it was just a little too all over the place. (And one key bit of how the end worked out didn't make sense to me at all.)

I do think it's interesting as what I would describe as very clearly a New Adult work rather than Young Adult, although I think New Adult really only caught on as a term in romance novels. They're 20, they're living and traveling independently, etc. There are a couple of things I like about New Adult as a category - I've seen concerns that the older end of YA is crowding out the younger end of YA, and I don't think that's entirely wrong, and I also like the idea of having a handy label for "college age stories" for people looking for those. I guess if I believe in this label I can start using it myself... and yet I'm probably still going to tag this YA too... hm.

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