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The Raven Scholar, Antonia Hodgson, 2025 fantasy novel. I didn't want to read this (it's over 600 pages long!) and very nearly didn't, in a mood to throw aside the Hugos and never duty-read again, but I decided to give it a shot, and, ha ha, the joke's on me, it was great. 600 pages when you want to turn them go so much faster than any number when you don't. Read it in a couple of days. It's not great literature maybe but it's so much fun and enjoyably twisty and I can't wait for the rest of the trilogy. Obvious influence from the whole Sorting Hat-Divergent-Hunger Games sort of genre but did not annoy me the way stuff in those veins tends to, like, it's a nicely realized fantasy world, there are palace-intrigue and high-fantasy plot strands going on in addition to the Houses-and-Contests business. (Maybe because it's not YA...) And Hodgson's pacing is terrific, things are constantly happening, the 600 pages felt justified and well-used. My apologies to the book club, clearly I should have agreed to this one the first time y'all suggested it.

Also I get to rank Hugo novels now.
Read more... )
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The Everlasting, Alix E. Harrow, 2025 fantasy novel. Certainly *felt* everlasting. Great concept, about national mythos and its uses, but I just didn't find it that enjoyable or fun to read. I mean, not terrible - Harrow did a good job of inventing a world that is not Britain and a legend that is not the Matter of Britain while also being about those things, and it is interesting to see when someone manages to come up with something new to do with all that - but it might have had more punch as a novella instead of drawing it out.
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Frankenstein, 2025 movie. Probably I have at some point watched a movie for the Hugos that I wasn't going to watch otherwise and enjoyed it, but generally I am not terrible at knowing what I like, and boy was I not Goth enough for this. Gorgeous costumes but so tediously over-the-top and on-the-nose dialogue-wise, except for when the dialogue didn't make sense at all (I don't think Elizabeth's dying words made grammatical sense, let alone plot sense). And I just did not at any point care. (And I'm a little hesitant to say this in case one of them was someone's native accent, but it seemed like everyone was doing a weird voice?) The odds were not great that someone was going to make a movie in 2025 with something new or interesting to say about the Frankenstein story, but I think that's what it would have taken, for me. Otherwise, it was just an opera (familiar story, heightened/overwrought/unrealistic plot beats, lavish sets and spectacle) without any cool singing, and for me I need the music. Or emotional investment. Or something.

Cut for ranking discussion: Read more... )
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The Other Shore, Rebecca Campbell, 2025 collection. Is this something I'm supposed to be reading for the Hugos? No. Is it an ebook I've been in the queue for for months that has now inconveniently come available right at Packet Time? Also no. However, it is a paperback I've had checked out for Way Too Long, so, finally finishing it is something, at least.

Ten stories here, eight previous published, of which I am sure I had read two and it's possible I read a third. Definitely recommended if you like her work.

"The High Lonesome Frontier" - Tor.com, 2016. (This is the one I might have read.) A song, the folk process, and how even in the information age something like a song is both transient and specific to time and performance and people. (Campbell is very good at specificity, concreteness of detail.)

"A Hole Cut in the Wall of the World" - This one is a mix of "men taking academic credit for women's ideas in the background" and "what if the revival of ancient ritual magic worked" - it's set in 1976 and if someone had told me that Le Guin wrote it in 1976 I would have believed it. (Well maybe the 80s for Le Guin specifically.)

"Lares Familiares 1981" - Liminal Stories, 2017. I liked this one - a logging family and a fae.

"On Highway 18" - The Magazine of Fantasy and Science Fiction, 2017. Also good - about friends growing apart, and urban legends, and the difficulty of knowing what actually happened, what kind of predator or pattern got someone.

"The Other Shore" - Genius Loci: Tales of the Spirits of Place, 2016. I liked this one a lot. An archaeological dig that starts turning up wildly mixed-up artifacts.

"Thank You for Your Patience" - Reckoning Magazine, 2020. I recommended this in my 2020 short science fiction reading and considered nominating it in 2021 but did not; I had her novelette "An Important Failure" on my novelette nominees and might have wanted to diversify authors a little, or might have just decided I liked other stories better. Anyways, a great story about the inhumanity of call centers and worker exploitation in general.

"The Bletted Woman" - The Magazine of Fantasy and Science Fiction, 2021. I thought I had recently read a review of a book along a similar line - maybe added it to my to-read list? But I can't find it now. Anyways, a woman with terminal illness decides to join an experiment attempting to make translators between the natural world and the human world. A good zombie story.

"Such Thoughts are Unproductive" - Clarkesworld, 2019. I did nominate this in 2020; it's the story that made me a Campbell fan in the first place. The total-surveillance, totalitarian state. Only more chilling now that we're so much further into the AI era.

"Wider than the Sky, Deeper than the Sea" - Another story about trying to bridge human and nature, this time as performance art. Campbell has such profound grief for what's being lost to the climate collapse, the Pacific Northwest ecosystems specifically because that's where she is (and that's where many of these stories are set). I really appreciate her as a voice for that. Interesting stuff about sacrifice and suffering for art and whether that's a good choice.

"Conclusion: An Incomplete Catalogue of Miraculous Births, or, Secrets of the Uterus Abscondita" - Shimmer Magazine, 2018. This one didn't really work for me.
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The Magician of Tiger Castle, Louis Sachar, 2025 fantasy novel. Sachar is best known for Holes*, famously tight and well-constructed, so I kept reading this one (his first book for adults) in hopes that it would all suddenly come together into something satisfying. Spoilers: it did not.

*although I know him best for Sideways Stories From Wayside School, which I reread many times as a kid

(And I remember basically nothing else about the Holes sequel but I do sometimes still think about the scene where the popstar sings Janis Joplin.)
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Notes from a Regicide, Isaac Fellman, 2026 novel. I did not think much of the other of Fellman's books I've read, the 2022 novella The Two Doctors Gorski, but I'd seen this one recommended highly by people whose opinions I respect, so figured it was worth a try. And I'm glad I did: I didn't completely love it, but I definitely liked it more than Two Doctors. It is a very slow book and low on plot; mostly a lot of very detailed character study. Closest comparison maybe something like Malafrena, a nineteenth-century Romantic novel being written in the modern day, in this case set in the medium-far future and principally concerned with (what seemed to me like) a very now-specific experience of transness, and secondarily alcoholism and/or being an artist.

Me being me I was most interested in the speculative elements, and since my ebook expires at midnight let me put a bunch of quotes behind the cut and talk a little about some worldbuilding choices.

Read more... )
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Stranger Things Season Five. We finally finished watching this dang show. I actually found the finale pretty entertaining, which was a pleasant surprise. So much of this season has made so little sense or come so totally out of an uninteresting left field (why does this show star extremely minor background character Holly now? never figured that one out) but they managed to flail their way to a fun final battle and if that isn't D&D vibes what is.

Spoilers: Read more... )
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Short stories:

Wire Mother, Isabel J. Kim, Clarkesworld.

Tell Them a Story to Teach Them Kindness, B Pladek, Lightspeed.

The Repairers of Reality, Shaenon K. Garrity, Drabblecast.

10 Visions of the Future; or, Self-Care for the End of Days, Samantha Mills, Uncanny.

Six People to Revise You, J.R. Dawson, Uncanny.

Novelettes:

The Girl That My Mother Is Leaving Me For, Cameron Reed, Reactor.

Phantom View, John Wiswell, Reactor.

The Twenty-One Second God, Peter Watts, Lightspeed.

Barnacle, Kate Elliott, Reactor.
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A few more recommendations. I have not done as much reading this year as I would have liked to but I'm running out of time, so, here's what I have.

Short stories:

Unbeaten, Grace Seybold, Beneath Ceaseless Skies. Nice riff on "swords into plowshares" and "pen is mightier".

Last Meal Aboard the Awassa, Kev Coleman, Lightspeed. A doomed ship has a party. (This one from the Locus list.)

The Tawlish Island Songbook of the Dead, E.M. Linden, PodCastle. Migration and memory. (Nebula nominee.)

Six People to Revise You, J.R. Dawson, Uncanny. Letting other people fix you. (Nebula nominee.)

ETA: The Fate You Choose, Nadia Radovich, Apex. Atalanta choose-your-own-adventure.

Looped, Nadia Radovich, Heartlines Spec. A time loop, with knitting.

Five Things You Can See, Nadia Radovich, Strange Horizons. Future selves.

Novelette:

Barnacle, Kate Elliott, Reactor. NOVELETTE. Life in a company town.

ETA: The Life and Times of Alavira the Great as Written by Titos Pavlou and Reviewed by Two Lifelong Friends, Eugenia Triantafyllou, Uncanny. NOVELETTE. A meta story about fantasy books and what they mean to people. (Nebula nominee.)


Novellas:

The Chronolithographer's Assistant, Suzanne Palmer, Asimov's. NOVELLA. A young man avoiding the sea becomes a printmaker. Palmer is always a good time.

Murder on the Eris Express, Beth Goder, Asimov's. NOVELLA. A spaceship AI and a mystery.

Saltcrop

Mar. 24th, 2026 10:53 pm
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Saltcrop, Yume Kitasei, 2025 science fiction novel. Two sisters in a post-collapse near future sail in search of the third. By description this sounded like something I would be into but I wouldn't have finished it if I hadn't been reading it for a book club; I just never wanted to know that much what was going to happen next. There was one cool vivid scene on the boat with unexpected music and an aurora and phosphorescent whales, I liked that. And I guess I'm interested in different takes on this kind of world and this was one.
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Drome, Jesse Lonergan, 2025 graphic. Stunning fantasy epic that blew me away with what it did with color and formal structure. Lonergan establishes a five by seven grid of square panels and then combines and subverts them in fascinating ways, bringing the gutters in to become motion lines and new divisions. The comic opens with an invocation of the four colors of printing, cyan magenta yellow and black, in a creation of the world sequence, and returns to that in a very meta way in the climax. There is *so much* going on in the character and world design and paneling and the way panels act as both time and space and the use of negative space and callbacks to sword-and-sorcery comics and retro superhero costuming and amazing vivid action sequences and mythological weight (no spoilers but there was definitely some "wait, is this... ??", except not exactly). Funny moments and touching moments and sometimes actually manages to hit larger-than-life heroic grandeur. But really it comes back to the art. Everyone else is writing free verse and this thing is a villanelle. Damn.

So, if Drome has catapulted its way to the top of my Hugo graphic nominations, where does that leave the rest of the list. To recap, I have read: The Nefarious Nights of Willowweep Manor, Second Shift, In the Land of Simplicity, Flip, The Other Jay & Eve, Who Killed Nessie?, Testament, A Song for You & I, Strange Bedfellows, part of A Garden of Spheres, and Drome. From which I guess, picking in more or less favorite order, I want to nominate: Drome, Nefarious Nights, Flip, Testament, and then... maybe Song? for the last slot? Or maybe Simplicity has more of a shot at the ballot, and it would be neat to get that on? Hmmm.
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A Song for You & I, K. O'Neill, 2025 graphic. Beautifully drawn and colored coming-of-age fantasy in which a pegasus-riding trainee ranger befriends a violin-playing shepherd and mutual personal growth ensues. Quiet, simple, and lovely, perfect for fans of Kiki's Delivery Service or maybe Blue Delliquanti's Across a Field of Starlight.

Strange Bedfellows, Ariel Slamet Ries, 2025 graphic. Also YA; a college dropout in a good-future space colony ("utopian" feels more laden than I want to say here) develops a late-blooming superpower to bring things from his dreams into reality, including his high school crush. A terrific premise that didn't always work for me, especially reading it right after Song for You & I. They're very similar books at the core - two young people whose interaction helps each of them figure out what's holding them back - but felt very different to read, in a couple of ways.

Song is, like I mentioned, beautiful - it's set in a medieval-ish world that values harmony with nature, and drawn with a lot of attention and panel space given to scenery, from big vistas to close-ups of specific birds or plants, Miyazaki-style, a slow detailed richness of the world around the characters that gives the characters more emotional weight. Very peaceful and relaxing to read. Bedfellows, on the other hand, is in a very busy high-tech future, and the art reflects that - crowded pages, crowded panels, crowd scenes, a couple of different ensembles of secondary characters, inclusion of text elements like search results and chats and social media (some of which was so low-contrast I skimmed over it rather than squinting to read every word). An effective match of content and style - but *a lot*, sometimes to the point of being overwhelming.

And then also, Song is very, very chaste - the big romantic climax is a kiss on the cheek - which felt reasonable for the Miyazaki-like tone and possibly middle-grade audience. Bedfellows, on the other hand, is also weirdly chaste, with a Big Deal being made out of a couple of kisses, and... it just felt off to me? Like, yes, Not Everything Has To Be Porn, but something felt infantilizing to me about the way the relationships of these nominally college-aged young adults were rendered suitable for a younger-YA audience. Dreams are such fertile territory for the weird, the disturbing, the unsanitized, the id, but here they're pastel, quirky, dragons and unicorns. There was a one-off line about the idea of making out with your own dream-projection being masturbatory that felt particularly prudish, like, what's wrong with that, exactly? I'm sure not everybody would immediately fuck their dream of their high school crush if they projected that dream into reality but would a twenty-year-old really be scandalized by the *idea*? It felt like the kind of pearl-clutching neo-puritanism you sometimes get on Tumblr, the "there is s*x here MINORS LOOK AWAY" nonsense, and I think I personally would have found this book more interesting if it was a little more visceral. Get some horniness into those dreams, and a little horror too, maybe, or a more adult take on the whole idea, generally. Made me really appreciate that Simplicity and Other Jay & Eve didn't shy away from sex (and in the case of Simplicity, some very non-pastel dreams about desire and monsters from the id). I mean, there's nothing wrong with Young Adult! Every book its reader! I just thought it was a neat story (it was a neat story, a nice satisfying plot) and I would have liked it if it was catering a little bit more to me. :)

ETA: Also I'm fascinated by the way Song and Bedfellows and Flip all use climactic or major-turning-point dance sequences to convey intimacy and joyous catharsis. Something about how the silence and stillness of the comics page leaves a big space for the reader to "complete the scene" filling in the implied music and motion thus heightening the emotional impact from that reader investment, I don't know.

A Garden of Spheres, Linnea Sterte, 2025 graphic. I read maybe 100-120 pages of this and it was very pretty but I had no idea what was going on and I felt disconnected rather than intrigued. I don't mind slow and I don't mind having to work a little but I think I need a little more of a thread to follow. :/

Mickey 17

Mar. 22nd, 2026 05:39 pm
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Mickey 17, 2025 science fiction movie directed by Bong Joon Ho and staring Robert Pattinson as a hapless space colonist who has agreed to be killed and reprinted over and over again as a way to escape Earth. I'm always excited to see a movie try to do what I might call "real science fiction" and there were some interesting elements and moments but I didn't really feel like it all hung together. Maybe if it had tried to do a little less? I was more interested in the sfnal or personal character story than in the political satire parts. I mean, I was interested in seeing a movie do a multiple-bodies story, and I'm interested in first-contact stories, but I didn't end up feeling like it said anything particularly interesting about either, alas.
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I still hope for another round of Annual Take Advantage Of My Best Friend's Comic Purchasing Day, but in my first pass at sitting in her living room and reading her books, I enjoyed:

The Other Jay & Eve, Emma Jayne, 2025 graphic. What if you and your roommate got duplicated for money and then you met up with your duplicates and then you found out they were *engaged*. An obviously instantly compelling premise with good execution, although I initially felt like it didn't reach a satisfying conclusion, but on further reflection I think it worked, and definitely worthwhile overall.

Who Killed Nessie?, Paul Cornell and Rachel Smith, 2025 graphic. A murder mystery at a convention for mythological creatures, which one newbie hotel worker has been left by her coworkers to staff. Fun premise and a bunch of the joke made me laugh.

Testament, J. Marshall Smith, 2025 graphic. A nun and a caretaker robot, the last survivors of a one-way mission of planetary exploration, contemplate their situation. This is exactly the sort of thing I like - space nuns, quiet sad thinky stuff about how space exploration might really work and who would do it and what it would be like, beautifully illustrated alien biology. Recommended to fans of To Be Taught If Fortunate, Scavengers Reign, and maybe anyone who remembers whatever that Robert L. Forward novel with the one-way mission was.

Flip

Mar. 12th, 2026 07:49 pm
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Flip, Ngozi Ukazu, 2025 graphic novel. I started this once and didn't get very far but I started it again and I guess just had to be in the right mood because I was really into it. A body-swap story about a Nigerian-American scholarship girl at a ritzy private school with a crush on a rich white boy. Ukazu does great work with her expressive, appealing faces (she's the author of Check Please, and it's neat to see her bringing the style and skills she developed there to this new project) and tells a solid story with some funny and touching moments. Are we going to get this onto the Hugo ballot? Probably not, but is it way better than at least half the likely ballot? Heck yeah.
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Hi! This is a big post of what I've read and am reccing so far, combining stories that I read during the year and liked, stories I picked up from other people's rec lists/eligibility posts/etc, and stories I read from the Locus list here. I have not yet read everything on the Locus list, nor have I gone through the TOCs of all my favorite magazines looking for stuff, so hopefully I'll have a few more posts. But I wanted to post these to get started. These are vaguely alphabetical by magazine, and I've divided out stuff that's on the Locus list and stuff that wasn't, so that people who have already gone through the Locus list can easily find the other ones. A few standouts or likely nominees in bold.

Short stories on the Locus list:

Wire Mother, Isabel J. Kim, Clarkesworld. I think this is my personal frontrunner; this is really good.

Missing Helen, Tia Tashiro, Clarkesworld. Divorce and clones.

The Year the Sheep God Shattered, Marissa Lingen, Diabolical Plots. A small fantasy about art and magic and growing up.

35/F/Lane's Creek, Oklahoma, Hans Ege Wegner, Escape Pod. Remote work and connection.

Toothpaste Feelings, Sharang Biswas, khōréō. Symbiont, adjustment.

Tell Them a Story to Teach Them Kindness, B Pladek, Lightspeed. AI in the classroom. Sadly probably prescient.

Courtney Lovecraft's Book of the Dead, Sam J. Miller, Nightmare. A drag queen medium does a podcast.

Woodpecker, Warbler, Mussel, Thrush, Ruth Joffre, PodCastle. Extinction, birder grief.

Pandora's Formula, Hannah Yang, Strange Horizons. I don't think the world would last a day in this scenario but I thought the story was good.

Short stories not on the Locus list:

Autonomy, Meg Elison, Clarkesworld. Self-driving cars.

In the Shells of Broken Things, A.T. Greenblatt, Clarkesworld. Disability, community.

Laser Eyes Ain't Everything, Effie Seiberg, Diabolical Plots. The superhero union building isn't ADA compliant.

The Repairers of Reality, Shaenon K. Garrity, Drabblecast. Art and humanity and meaning.

Question 3, Cliff Jerrison. Democracy!

All That Means or Mourns, Ruthanna Emrys, Reactor. Fungal symbiosis and human connection.

Murder in the Clavist Autonomous Zone, Rich Larson, Strange Horizons. This is about a small intentional community inside a techno-dystopia we only see secondhand; some nice worldbuilding and character work in a small space.

10 Visions of the Future; or, Self-Care for the End of Days, Samantha Mills, Uncanny. This one has a lot of buzz and I would have said was the frontrunner except for its surprising omission from the Locus list.

Novelettes on the Locus list:

A Random Walk Through the Goblin Library, Chris Wilrich, Beneath Ceaseless Skies. NOVELETTE. Like fantasy Godel Escher Bach.

The Twenty-One Second God, Peter Watts, Lightspeed. NOVELETTE. Hive minds.

Regarding the Childhood of Morrigan, Who Was Chosen to Open the Way, Benjamin Rosenbaum, Reactor. NOVELETTE. This one is weird and I have mixed feelings but it's interesting to see what Rosenbaum is up to.

After the Invasion of the Bug-Eyed Aliens, Rachel Swirsky, Reactor. NOVELETTE. Vignettes from various different perspectives.

Phantom View, John Wiswell, Reactor. NOVELETTE. Illness and care and ghosts.

Novelettes not on the Locus list:

The Girl That My Mother Is Leaving Me For, Cameron Reed, Reactor. NOVELETTE. Sort of a Cyteen riff.
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Realized the other day that rather than sitting around waiting for my intrepid graphic-novel-reading friend to tell me what 2025 graphic novels I should be reading, I could seek some out myself. Unfortunately I did not love either of these for Hugo purposes, and neither had the kind of breakout awesome that might be able to compete with inevitable frontrunners Prestige DC Cape Project, Adaptation of Classic Novel, and Latest Kieron Gillen, but it's still interesting to me to see a little bit of what's up in the adult SF graphic novel space.

Second Shift, Kit Anderson, 2025 graphic from Avery Hill, is about workers on a distant planet and the corporate AI that provides them with perception overlays and entertainments. I have to admit I do not love "but what is really real" plots even while I concede that this is an increasingly relevant theme in the age of bespoke AI slop. Also this book is oblique to the point of not really landing for me. I know from my own writing experience that sometimes I am thinking "surely I don't need to spell this out, that would be boring", but it's always more obvious inside your own head when you already know what you're trying to say, and I feel like this story could have used a little less trailing off and a little more actually saying things.

In the Land of Simplicity: A Novel, Mattie Lubchansky, 2025 graphic from Pantheon Books, is a near-future story about an anthropologist visiting a backwoods commune in post-United-States New York. An interesting contrast to Second Shift in that there is also some "what is real" stuff happening but it turns out to be clearer cut and more explained, and also a contrast in positing a possibility of resistance and escape from the corporation that Second Shift doesn't. And it was interesting to see how they both used the idea of the museum in different ways. Unfortunately, while it was at least clear in this book *what* was happening, I didn't really buy into it in a "this is a satisfying narrative" way. I hate to not love a queer book! I do like the way Lubchansky writes/draws about transness and bodies! And no blame to Lubchansky for not wanting to write a tragedy! But the improbability of the end, especially the bigger story we're asked to believe took place off the page, kind of undermined for me the personal character story the book is mostly about. But, I don't know. I guess it's a tonal fit. Maybe I'm too picky. Enh.

Honeyeater

Jan. 24th, 2026 12:19 am
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Honeyeater, Kathleen Jennings, 2025 Australian Gothic novel. (I might have thought novella but I found an interview where she said it was a novel.) I was not super into this - at first I was like "what even is happening" and then as it became a little clearer I was like "but *why* is any of this happening". The most interesting bit was a minor character whose story I wished we were in instead. I would like to see all those birds, though.
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The Martian Contingency, Mary Robinette Kowal, 2025 Lady Astronaut series novel. As of the last one of these, The Relentless Moon, I had concluded this was "a good series I didn't like the first book of rather than a series I'm not into". As of this one I may be back to "a series I'm not really into that happened to have a couple of good books in the middle". It wasn't terrible - the first half really had me - but then I felt like it didn't pay off and didn't really go anywhere.

Two thoughts with spoilers: Read more... )

Starstrike

Jan. 12th, 2026 07:43 pm
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Starstrike, Yoon Ha Lee, 2025 ya sf, second in a trilogy that started with Moonstorm. I liked Moonstorm a lot but unfortunately this one didn't work for me. Interesting things are still going on but the writing felt scattered and muddled and I rarely had any sense of anticipation or direction. I may still check out the eventual third book - I would still like to see how things turn out for the characters, and it seems quite possible that Lee will re-find his groove or the structure of the third book will flow better or whatever the problem was - but as of this one I can't really recommend the series. :(

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