NEFFA

Apr. 27th, 2025 12:43 pm
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I've been having some big sad feelings about whether I would ever be able to dance again - *not* because guilty feet have got no rhythm, thank you, but because last time I wore my right ankle brace for anything it messed up my right knee, and I can't dance safely without my ankle braces, but I can't do stairs and hills without my knee. So I have been all woe, alack, maybe I don't want to even be around the dance scene if I can't dance, but I really wanted to see some friends, so I decided to get over myself and go to NEFFA. And! I danced! I did the medley prep where we learned the dances for the ECD medley, and then danced the medley, and my ankles and knees both did fine, and the only thing that felt bad this morning was a muscle in my left thigh. So apparently the brace is not just instant poison for the knee - maybe it was something specific I did in it last time, like walking up- and downhill, or driving in it, but ECD is not that thing. So maybe I can do more of it, and maybe even experiment with some walked Scottish, or - who knows! The contra medley next year? It felt so good and I was so happy to get to dance again.

(I did screw up the medley fairly significantly, but not for ankle or knee reasons - I was dancing with a contra dancer but ECD newbie and forgot the important rule of having newbies dance the position they've been learning, and then we collided with another couple who were confused about whether they were ones or twos and got really confused about whether *we* were ones or twos, and that took multiple times through to sort out while we vexed various other couples who were expecting one or the other. But I think she had fun, and I've always enjoyed trying to get a less-familiar dancer through a dance, so it was fun for me. Although it's weird in a mask! I'm, like, smiling away, and is that even coming across? Anyways, this felt like a totally normal and reasonable way to botch a medley, as opposed to, you know, my secret dread of rolling an ankle and bringing the entire dance to a halt while I have to be helped off the floor, so enh, it felt like a glorious victory even if by frequent-dancer standards it was a poor showing.)

Other highlights of NEFFA included getting to watch two friends' ritual dance groups (both of whom have now been joined in said groups by their teen children! which is neat). And dinner with one of said friends, and a fun musical performance/history lesson about queer maritime music by the Ranzo Boys, who have an album coming out that I look forward to buying, and listening to the contra medley music even if I wasn't dancing it. (Whose album I suppose I could also buy!) So, that was great. An excellent NEFFA, after I don't know how many years away. (Okay, we apparently went in 2010 and 2011 when the first kid was a baby/toddler, and then in 2013 and 2014 when the second kid was a baby/toddler, but then in 2015 I had had one of the really bad ankle re-sprains, and after that we were more like in "wrangling children who don't want to be dragged to NEFFA and have weekend activities of their own" mode. As far as dancing at all, I apparently went to Harvard English once in 2017, successfully, and meant to go back and just didn't (and/or had more poorly-timed ankle events), and then we began a pandemic.)
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In theory, go-arounds are pretty rare in commercial aviation, but I was just in my second one landing in Boston today. The previous time was in heavy clouds/fog, so I'm not actually sure how close we came to the runway before pulling back up - this one we actually bumped on the runway, but the plane was rocking a lot, so I guess they decided it was less risky to go back up than to try to complete an iffy landing. The captain said something about wind conditions. Second landing attempt from a different direction went fine. I was pretty rattled and tbh am still - even knowing that's a normal thing they practice, I would rather not be a passenger in any kind of unplanned airplane event. My heart rate went through the roof at the time and keeps having little upticks. (I guess now I know what Justin meant when he said he didn't want to think about it.)
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I went to enter some Hugo finalists on my big list of books/other media, and realized that I've reached 2000 lines! That's a big round number and I have decided to celebrate by counting things!

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Here's what I'm most anticipating this year, according to my big list: Alecto the Ninth (which I believe has been appearing on this list the whole time I've been doing it since 2021, making this its fifth and, let's be real, probably not final appearance), Nefarious Nights of Willowweep Manor (sequel to the Dire Days of Willowweep Manor which was on 2021's list), Emily Tesh's The Incandescent, Sarah Rees Brennan's All Hail Chaos (sequel to Long Live Evil) and Martha Wells' Queen Demon (sequel to Witch King). And Amal El-Mohtar's The River Has Roots, which I have ranked as a two instead of a one for whatever reason but might as well be a one.

(In another sense, my most anticipated books are the twelve I'm in queues for, for which I presently have a nice range of queue positions ranging from #1 on three copies to #49 on seven copies to #12 on one copy, but which will surely become available in a couple of inconvenient simultaneous batches because that always happens.)

Of last year's list I successfully read My Favorite Thing Is Monsters 2 (which like Alecto had also been on for years but unlike Alecto *actually happened*), the new Courtney Milan, and the new Murderbot, and basically everything else I listed (Rose/House, He Who Drowned the World, Thorn Hedge, Dead Cat Tail Assassins, The Lost Cause, What Feasts At Night, Brides of High Hill, Rakesfall) except for Menewood, which I continue to not be sure when I'm going to actually drop everything else for that long to reread Hild and then that. Plus a couple that went on and off the list again within the year, City in Glass and The Forbidden Book. So those are some notes about books.
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Romeo and Juliet at the ART. Cut for being long. ExpandRead more... )
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It's sounding like in addition to voluntary censorship of specific works/people by the American Hugo admins, there was also a mass tossing of ballots (again, by the American Hugo admins) thought to be influenced by a list of recs in a Chinese magazine, and there should have been way more Chinese finalists.

I have no idea how I would have felt about it if most or all of the nominees had been linguistically inaccessible to me. Possibly I would have been a dick about it, who can say. I tried to make a good-faith engagement with the short stories and Astounding candidates we did actually get on the ballot, but comparing machine translation output to actual human writing is awkward. Maybe I would have been weird and grumpy about a mostly or entirely Chinese year for the Hugos. HOWEVER, I am so pissed off that we don't even get to find out. Like, all these people went to all the trouble of setting up this really interesting experiment, what happens when we try to do the Hugo awards in this cross-language-sphere, truly international way, and then they didn't even actually run the fucking experiment. It could have been really interesting! Something dramatic and unusual producing fascinating data! And instead they just, like, manipulated the results to be generic and "normal" and boring?? (And deeply unfair to all the nominees of course, both disqualified and not, and to the nominators whose votes got disregarded.) Gross and racist and pathetic. :(

Anyways, if anyone has been wondering if I'm going to do online short fiction recs this year, the answer is I don't know. I am not feeling a lot of enthusiasm for nominating for Glasgow, and entirely separately from all that, I have not been doing great on the executive-function-and-anxiety front, such that I'm not currently managing to do a great many things I should do or would like to do. If I do manage to read anything or post any recs they will probably be very limited (and in the timeline where I start making really good choices, I probably don't put time or energy there at all, given some of what else I should be doing.) So, in short, blaaaaaagh.

fic post

Feb. 9th, 2024 07:41 pm
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The King at Re Albi. Lebannen, set post-"Firelight", 2800 words.

I have felt like I wanted to write something about Ged and Lebannen since I first read Other Wind more than twenty years ago. It took me a lot of Le Guin book club and a lot of reading and rereading a whole bunch of her works to finally have anything to say. But, here it is, my little thing to say.

ExpandRead more... )
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My annual look at the books I'm the very most eager to read!

Right now the list is: still and apparently indefinitely My Favorite Thing Is Monsters 2 (I guess at some point I could... mark it as unreadable, like if Emil Ferris dies without ever finishing it, but I'm not giving up yet), and Alecto the Ninth which seems like it could get a cover and a release date any time now. And then Courtney Milan's Marquis Who Mustn't and Martha Wells new Murderbot, both of which I actually successfully could have had from their library queues a few weeks ago but had no time to possibly read them and had to postpone, but I should be getting Any Day Now.

Of last year's list, I did read Across a Field of Starlight and Other Ever Afters, and Witch King and Paladin's Faith which went on and came off again within 2023, and a lot else I mentioned as exciting rank 2s - Mimicking of Known Successes, Translation State, Some Desperate Glory, Moira's Pen, Grace Needs Space (which, uh, I think I never wrote up, I should do that). Arkady Martine's Prescribed Burn seems to not even have a release date.

This year's similar list - Martine's Rose/House, Menewood, He Who Drowned the World, Thorn Hedge, Dead Cat Tail Assassins, Doctorow's The Lost Cause, What Feasts At Night, Vo's Singing Hills number five Brides of High Hill, Rakesfall, Jemisin's new* Inheritance novella The Awakened Kingdom. (Sometimes I look at these lists and am like "why did I call this Doctorow book a 2 but Rebecca Campbell's Arboreality stories a 3" but I guess that's what past me who put these things on the list was thinking in that moment.)

*see comment
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I finished a thing! I don't know that anyone here wants to *read* this thing, but people in the Le Guin bookclub have been hearing me talk about it, so if any of you are curious about it, now you can know. I'm in the stage of recently-finished where I just want to babble about it, so it's also fine if nobody is curious. :)

The thing: Ways To Make A Marriage, a sedoretu AU of The Untamed, a Chinese fantasy TV series.

I say that I don't think anyone wants to read it because it leans pretty heavily on knowledge of canon (although maybe someone here is also in this fandom? hi!). It's a fix-it fic, and I think a lot of what's neat about it is seeing how things change in this AU. (With bonus irony of the characters having no idea how dark canon was going to get, so sometimes they're like "such bad things have happened!". Haha, you have no idea.) The story follows four women, three of whom die fridgey deaths in canon - part of why I wanted to write a sedoretu AU for this fandom was because I like how the sedoretu structure (when written strictly) forces there to be 50% women for every 'ship, and part of why I wanted to write about the women in particular was because the show was not great to them, both in terms of having them in the first place (there are 2 or 3 times as many named male characters) and in terms of who's left standing at the end.

More specifically, it's a fix-it fic where the fix is "What Would Ursula Le Guin Do?", or maybe "what might Le Guin's Taoism suggest as alternate solutions to the central conflicts of the first half", drawing on Four Ways to Forgiveness, Tehanu, and "Unlocking the Air", as well as Le Guin's Tao Te Ching. (And, obviously, her sedoretu stories.) And I finally figured out what I wanted to do with the voices/POVs after reading Birthday of the World - I was aiming for the same "telling my life story" voice as some of those stories. So that's what I've been up to lately! It's also the longest thing I've finished since like 2015, so that's exciting for me.
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The big end of June announcement was that they're finally sending out the emails to finalists?? People need to check their mail?? The list will be announced *once everyone has confirmed by email*, a process we're only starting *now*??? Look, I know there are much worse things happening in the world, the Supreme Court just greenlighted anti-gay discrimination and killed the hope of student loan relief, but here in my particular sports fandom we are having what's shaping up to be the weirdest year since 2015. Oh, and in my *other* sports fandom the people who flounced from the women's hockey league have come back, bought it out, cancelled all operations and fired all the players, so, uh, there is drama all over and I don't like any of it.
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Back from Endoscopy 2! They said it went well. (I mean, I know firsthand that all the bits I was awake for went smoothly, but the key bit was the bit in the middle where I wasn't.)
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Biopsy results are that I *don't* have the food allergy thing with the complicated elimination diet, and probably just need one more endoscopy and the situation will be Better, or at least Better Plus Some Management. And they might for scheduling reasons be able to fit me in for the second endoscopy *tomorrow*, which is going to be a slightly bigger deal than the first one (heavier sedation), but otherwise very similar, and then it wouldn't be hanging over me. So... fingers crossed?
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So Monday I had a swallowing event, or rather a non-swallowing event involving complete blockage of the esophagus and a trip to the ER. (Not choking, but it turns out that you really want your saliva to be able to go somewhere.) Today I had an endoscopy and am learning about a variety of interesting conditions like "Schatzki ring" and "eosinophilic esophagitis", some of which they are still in the process of determining whether I have or not. Between then and now I've been unable to eat solid food and living off plant-based Ensure (vile! I get that it has to be sweet because you need sugars, but why play it up with the vanilla?), bone broth, soy milk, and pureed butternut soup, but the endoscopy doc thinks I should be safe to do soft solids. Probably what happens next is either another endoscopy soon or a more complicated Food Allergy Journey*. Endoscopy has always been very high on my personal "medical stuff I'm phobic about" list but the drugs work and the bit where I woke up a little feels more like a bad dream than an actual trauma.

(*the hypothetical elimination list is literally nearly everything I eat, so, that's pretty scary to contemplate, but it also sounds like there are different approaches, so, we'll see, I guess.)
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Half my household has covid. Not me, not yet at least. So far it's the two of us who didn't have it in April. They're doing okay so far. (I am sad and anxious but what else is new.)


Spirochete, Anneke Schwob, Strange Horizons. Demonic possession, spoons, priorities.

Obsolesce, Nadine Aurora Tabing, Strange Horizons. An aging robot in a mostly-uploaded world.

Lay My Stomach On Your Scales, Wen-yi Lee, Strange Horizons. Bodies and being embodied; a manananggal and something else.

The Crow Husband, Sarah McGill, Strange Horizons. Offbeat and lovely, about different kinds of relationships, and wanting them or not. Le Guin-esque.

Born from the Drowning Forest, James Rowland, Strange Horizons. Look, this one is... maybe unforgivably self-forgiving, self-justifying, but also irresistible.
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So, last year, my top-ranked priority to-read books were My Favorite Thing Is Monsters vol 2, Alecto the Ninth and Nona the Ninth, Sisters of the Forsaken Stars, and Across a Field of Starlight from Blue Delliquanti, of which I read Nona and Sisters, and (coughs) got partway through Across a Field and let myself get sidetracked by other things, oops. Also Golden Enclaves went on as a priority 1 and popped off again.

Not much new in the current rank 1s: MFTIM2, Alecto, Across a Field, and Mel Gillman's Other Ever Afters, which shares with Across a Field the misfeature of my actually having purchased it instead of getting it from the library and having a natural deadline. Some exciting 2023 works in the rank 2s though: Arkady Martine's Prescribed Burn, Malka Older's Mimicking of Known Successes, Ann Leckie's new Radch novel Translation State, Ben Wilgus's MG graphic novel Grace Needs Space, and Emily Tesh's Some Desperate Glory, which used to be a 2022 release but seems to have pushed back at some point. And I'm actively in a library queue for Megan Whalen Turner's Moira's Pen 2022 story collection.

What are other people no really definitely reading this year (assuming it actually comes out, which MFTIM2 probably won't and Alecto is a tossup)? Answers are not binding. :)

misc

Jan. 1st, 2023 04:38 pm
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His Sacred Incantations, Scarlett Gale, second half of that fantasy het romance duology. I liked the climactic fight against the necromancer, thought the denouement was a bit dragged out (and got so earnest as to be cringey in spots). Still, fun, I'd read more by her.

Glass Today by American Studio Artists, Museum of Fine Arts, Boston. This is the catalogue from a fantastic glass show I saw at the MFA in 1997. I checked it out because I was thinking about Carol Cohen's "Little Compton" from that show, as I sometimes do, and learned online that Cohen had died in 2020 (at the age of 81, and also apparently her studio was in Cambridge - I wonder if she ever did open studios? that's a missed opportunity), and then I couldn't remember the artist who did my other favorite piece from the show. And then when I got it from the library I was reminded that the reason I hadn't bought it in the first place back in 1997 was that neither of my favorite pieces was pictured. (Also I was in college and museum stuff is always so expensive.) But it was kind of fun to flip through and see works I recognized from the MFA that I had forgotten I had first seen at that show, and lots of works I didn't remember at all. Anyways, here's "Little Compton - MFA visitors may catch the similarity to "The Vineyard", which the MFA commissioned from her because people liked "Little Compton", and which was on display near one of the staircases in the wing that has the bookstore for quite a few years. And my other favorite piece was Jay Musler's "Cityscape", which might actually be a series of similar works, but I think this photo is pretty close to my recollection of it.

(I wonder how many little pieces of paper or txt notes I have somewhere, with "cohen little compton" or "musler cityscape" on them, from forgetting one or the other and then figuring it out again? Like the other day I managed to google up Shaggy's "Boombastic" as the song from the jeans commercial - my brain likes to cough up the "mister lover lover" bit as a very brief earworm, and I would swear that it had been driving me nuts for years (and I couldn't recall if it was actually a jeans commercial or an MTV station tag, which didn't help the search), but for all I know I've figured it out and forgotten repeatedly. The Memento life, sigh.)

(The full explanation for why I'm so obsessed with this 1997 glass show involves Objectivism and my college ex and a long argument about Rodin's "Eternal Springtime" and a bigger ongoing argument about orthodox Randian benevolent-universe romantic realism vs. artists (particularly contemporary artists) doing 1) depictions of tragedy or ugliness and b) art that falls somewhere between figurative art and abstraction, like, semi-representational, which is where some of my personal favorite art lives. Like "Cityscape", which is, on the one hand, a bowl that to some people is just a bowl, and on the other hand in person a glowing crater and an utter gutpunch about the horror of war/the atomic bomb. Or like certain of Arthur Ganson's work, like the one with the artichoke petal, or the wishbone. (I haven't been to the MIT museum in years, I wonder if he's added anything new there...) Anyways, I'm not saying art singlehandedly saved me from Randroidism, but it was certainly a crack in the glass, so to speak.)

(These parentheticals are becoming much longer than the actual post but I'm also wondering now how long it's been since I've added anything to my mental list of favorite art. If I go to list things it's so much from college - who was the last new favorite artist I discovered? Anything from my 30s even? (Note I am now 45.) Hm.)

misc

Dec. 5th, 2022 11:24 pm
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How to Keep House While Drowning: a gentle approach to cleaning and organizing, KC Davis. Pretty much exactly what it says: some kind and reasonable thoughts about not giving yourself too hard a time over housekeeping, but getting done what most needs to get done or what will most improve your life. Which, sure, yes, good, but it didn't really end up speaking to most of what I find most difficult, wasn't quite the book I was hoping for. (I feel too lazy to really try to write up what kind of book I am looking for, but it would have chapters like "you only have control of your own actions and yet your house has a bunch of other people in it" and "you grew up in a different size of house than you now live in so your sense of how much stuff you should be able to own is fundamentally off by 30%".)

His Secret Illuminations, Scarlett Gale. Het romance novel by someone whose fanfic I'm a big fan of. I've read so many het romances with big burly warrior dudes and delicate little ladies, so I was delighted to read this delicate little monk swooning over his big burly warrior lady. This is the first half of a duology but really more like the first half of one long book; the second one promises to be even more femdommy. I was wishing the other day for queer readalikes for all the het romances but I will also take this sort of trope subversion, yay.
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I have reached a point in this trip where it seems like everything is falling apart - flash flooding has closed a destination I was particularly excited about, so we are scrambling to come up with an alternative, we made a restaurant reservation without thinking about the timing of rental car return, I'm realizing I only have a couple of days left and haven't undertaken one of the major projects I wanted to do, gah.

And also my clever plan to finish my Hugo reading while I was here has been an abject failure since I'm not spending any time reading. Whoops! Time to go with what I know!

Behind the cut, some disjointed thoughts on the bits of remaining categories I've managed to read,and a stab at some rankings. ExpandRead more... )
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Trouble the Saints, Alaya Dawn Johnson. I have Definitely Been Finally Reading This Book This Month for over a year, while Hugo deadlines and bookclubs and library queues have always made something else the actual next thing. But now I really finally have!

I have the utmost respect for Johnson as an author - Summer Prince is one of the best works of YA science fiction I've ever read (here is my initial review; I reread it for book club this past winter and loved it all over again), and Love is the Drug is forever memorable to me as the first time I really *got* the near-future US as dystopia (review here). Like, not my first US-set dystopia at all, I had already read pretty much all of the dystopia classics, but I think I always thought of them as science fiction or alternate history, some other fork of the timeline or provoking what-if, and then here's Johnson, like, no, maybe the actual US you recognize is something people need to escape.

So I had high hopes for whatever interesting and unexpected thing Johnson might hit me with in her latest novel! Unfortunately I did not get this book at all. I mean, I feel like usually I can tell what an author is trying to do whether it's working for me or not - did they have a cool worldbuilding idea, were they drawn to the pathos or humor of some situation, am I supposed to be getting a romance zing or a vindication zing or a heist zing, are they trying to dissect some particular character trait or write something that has the nuance and ultraspecificity of "real life". But here I feel like I don't even know what book Johnson thinks she wrote. I guess it's noir? So, like, the inevitable playing out of circumstances? Stark, heightened, bleak? Do I mean tragedy? It is very much a book about no-longer-young people who are confronting their past choices and their failure to have done better, and, I don't know, that seems like a theoretically relevant topic to me, but in practice I just felt like nothing was actually happening or no one was actually doing anything. The stuff about passing, and the choices and consequences thereof, was strong, but it didn't quite form an arc. Near the end I felt like she was maybe getting somewhere interesting when the perspective zoomed back a bit to talk about "the hands" as a post-Reconstruction phenomenon, but then it didn't quite land anywhere for me. I don't know, I hope it did land for someone, and I hope it sold well enough that we get to see Johnson's next book. "This book was actually great and I was just too dumb to get it" would be an excellent outcome here! I am mostly pleased that I can finally stop meaning to read it.

(I guess I have not said in this particular forum but I have been in covid at-home isolation for ten days. Hopefully testing negative and getting to go downstairs this evening. It has been fantastic for my productivity in the very specific area of closing open browser tabs - I haven't been keeping exact count but I would guess I've closed more than four dozen tabs. Things I was meaning to read that I finally read, and things I was meaning to read that I gave myself the gift of not reading, and things I was meaning to do something about that it was too late to do something about that I admitted and let go, and even a few things I could actually do the thing about. I still have a lot of tabs open (again, I don't have an exact count, there probably is a way to get that but I've never done it) but I think I've cut the total something like in half. And I've managed to do a few other things in a similar spirit, working on my inbox and some similar low-key to-do-list items. I don't know how different this will make anything when I get out. But maybe a little.)

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