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May. 1st, 2017 08:55 pm
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I loved this anime movie - visually gorgeous, compelling premise (bodyswap! I always love the classic tropes), more tightly written than I was expecting. Some of the best handling I've ever seen in fiction of how dreams feel - or at least how my dreams feel, I sometimes have very vivid or complicated dreams that seem more real than real life when I first wake up, and then I can hardly remember not long after. And I also dream more about people from my adolescence much more than people in my current life. (I assume something got hardwired somewhere in my teen brain development...) So teenagers who are having these dreamlike experiences - spot on! I also just love so much the little details of Japanese life and setting - this movie was so *placed*, so locationally grounded, in the same way that, like, My Neighbor Totoro is. Neat to get a little glimpse of a different world. (It was out in 2016 in Japan, 2017 here, I dunno what year would count for Hugo purposes.)

movies

Apr. 20th, 2017 07:48 pm
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Logan was good, although I wonder if they thought while making it that an oppressive, corporate-controlled US that people are trying to escape from over the border to Canada was more like a what-if dystopia than an accurate depiction of the present day.

Moonlight was also good, very good, I don't seem to have ever mentioned that, mostly putting it here so that when I go back looking for what movies I saw it's on the list.
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Hidden Figures is OUTSTANDING; October Sky is a long-time favorite movie of mine, although I haven't watched it in years, and this is, I think, even better. Sheer delight and excellence. To talk briefly about one mildly spoilery aspect Read more... )

I would like to particularly point out that it was officially released in 2016, making it Hugo-nominable in the nominations that have just opened! "But historical fiction isn't science fiction", you say - let me point out that Apollo 13 was a finalist and October Sky made the long list, so clearly some Hugo voters consider these kinds of movies eligible.

Rogue One!

Dec. 19th, 2016 12:01 am
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I don't know how to do spoiler cuts on Facebook so I'm going to have to talk about this movie here! Spoiler cut! Read more... )

Arrival

Nov. 15th, 2016 11:39 pm
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Overall very pleased with this adaptation! The film team obviously understood the story and added movie-appropriate spectacle/drama/closure in mostly satisfying ways. More about which behind this cut. Read more... )
psocoptera: ink drawing of celtic knot (ha!)
Ghostbusters was a blast, like a two-hour jaunt into an alternate universe where women can be awesome without being filtered through the male gaze. And some great new iconic scenes and stuff.

Star Trek Beyond was also awesome, it's like they finally let one of these NuTreks be made by people who actually loved Star Trek. Like we finally got movie-style spectacle and sensawunda stuff coupled with speeches about values. A fine summer for films here.
psocoptera: ink drawing of celtic knot (ha!)
I have finally seen Mad Max: Fury Road. I can't argue that it did many things right and many things well (notably not the sound balance, we tried turning it up for the talking and down for the fighting but I still couldn't make out half the dialogue) but it wasn't really my thing and I'm glad I didn't spend a theater outing on it.

I liked the Alyssa Wong story "The Fisher Queen" so I can vote for her for the Campbell with a clear conscience; I didn't care for "Hungry Daughters of Starving Mothers". Not my thing, to continue a theme here.

I guess I still need to read some magazine issues, for Editor Short and Semipro? Getting close to done though.
psocoptera: ink drawing of celtic knot (ha!)
Finding Dory - cried. Thought it was very good. A couple of laugh-out-loud bits too. Discussion question: what if the movie was exactly the same in every way, but the octopus was voiced by, I don't know, Roseanne Barr*. On the one hand, yay more female buddy characters, on the other hand, do Hank's choices in the end suddenly feel self-sacrificial instead of self-actualizing. And does that one bit automatically turn into a reference to a certain famous movie I haven't actually seen but still know the iconic ending of. (*Roseanne was just who first came to mind, as, like, an older female "character actor", but then I looked it up, and the voice of Hank was apparently the guy who played Al Bundy, so Roseanne is like totally exactly the right parallel and I wonder if on some subconscious level I was cued for that by Hank's voice.)

Her Every Wish, Courtney Milan novella. I really like the thing Milan is doing of expanding her serieses into including non-aristocrat couples? Like there's always been some of that in historical romance but very often it's aristo/non-aristo, and I feel like Milan is doing cool stuff with people in social roles I'm not used to seeing in historicals at all? Like obviously there's plenty of both-not-aristos in settings in the American West, cowboys/mail order brides and all that, but, like, actual working-class people in London contemporaneously with Lords and Society and all that? This is neat stuff. I would read a hundred more chapters about Daisy and Crash and their shopkeeping lives. (I would love to have seen a little more done with the implication that Crash is bisexual, I spent most of Unraveled thinking that Smite was bi (that Richard was his ex) and am still sad he wasn't, I can see how Milan just didn't want to go into it with all the complexity of historical attitudes/legalities, but, like, bi hero? that's interesting!) I wasn't super into every aspect of their romance... I thought their conversations were a lot more interesting than their sex... but, like, family dinners, would read so many family dinners with Daisy's mom and Aunt Ree.
psocoptera: ink drawing of celtic knot (ha!)
Behind cut for spoilers. Read more... )
psocoptera: ink drawing of celtic knot (ha!)
Ms. Marvel Volume 3: Crushed, Wilson, Bondoc, Miyazawa. I didn't think this was as strong as Generation Why, plot/theme-wise, or as fun in its guest stars (Wolverine >> Loki), but it still had a lot of great character beats. I'm... cautiously intrigued by what they're doing with Kamala and Bruno, like it's maybe *not* falling into any of the obvious patterns that could take?

Hereville: How Mirka Caught a Fish, Barry Deutsch. The third Hereville book. Okay, talk about character beats. Deutsch is *so good*. There were bits of this that were almost breathtaking. And I didn't quite cry but I got a little misty-eyed. Plus the Hereville world is just so interesting - I guess it's exotifying to look at it that way, but we're in my lj, so, whatever, I *really enjoyed* the way it sometimes jars my assumptions, like, it's so easy to slip into thinking that they're in the past because of the clothes, and then suddenly - car! Or the comparative bathing suits! Don't tell Junie but I need to either buy her all three of these or put them on her wishlist, now that she's into comics, they're just so good.

Last of the Sandwalkers, Jay Hosler. I really wanted to love this, and I feel all weird and sad about how lukewarm I ended up feeling about it. I mean, THIS IS AGE OF ELYTRA - I didn't even realize when I picked it up and then at some point I was like, holy shit, this IS the long-prophecied beetle project, I've been waiting for, what, over a decade? The thing is, I love beetles, but part of what I love about beetles is just how *gorgeous* they are, and this comic, for me, didn't really capture that. In fact, I found the character designs confusing - I had to keep referring back to the cast page to try to tell them apart - and not particularly easy to identify with in a Scott McCloud iconic-character sense. I did enjoy meeting some nifty beetle species, but the mechanics to get the party from encounter to encounter felt way over-labored... neither the action-adventure-intrigue plot or the character dynamics ever really drew me in, but that stuff was way too much of the weight of the book for the zing of pure beetle enthusiasm to shine through. I don't know. I feel like an asshole griping about this when, like, it's a fucking comic book about beetles, it's amazing it exists in the first place, who cares if it was 50% gratuitous robot, but Clan Apis was so beautiful, and moving, and important to me, I obviously wanted this to be Clan Apis But With Beetles and you can't step into the same stream and... yeah.

Megamind is stylistically similar to another DreamWorks animated superhero movie from around the same time that I really liked, Monsters vs Aliens, but the latter is more of a classic origin story, and Megamind is a deconstruction. I mean, both have some fun with the cliches of the genre, but I think a *lot* of Megamind was lost on my not-yet-genre-savvy kids, and I'll be surprised if they remember it as enthusiastically? I loved it, though. Great character dynamics. Am now tearing through fic. :)
psocoptera: ink drawing of celtic knot (ha!)
I liked Ex Machina a lot more than some other members of our viewing party, and also interpreted it pretty differently, so if you're looking for a movie to argue about, this could be a good one! (I thought it was aware of and critical of its gender ickiness, although I can understand a preference for movies not being icky in the first place...)

World of Tomorrow, on the other hand, didn't really work for me; yes, there were a lot of Big SF Ideas, some of which seem sort of clever or cute in retrospect, but it was so weird that it was awkward to watch with other people, and so bleak. I'll be a little surprised if it gets nominated, it seems like more of a movie critic movie than something average Hugo voters would go for, maybe?
psocoptera: ink drawing of celtic knot (ha!)
I think in the tumult of Christmas I never posted about this. Sanjay's Super Team is the best Pixar short ever. I have probably said this before (Day & Night, Boundin') but, no, really, this time, I *mean* it, it is an entirely different kind of thing than a neat visual gimmick or an inspirational poem, it's simultaneously epic cosmic high fantasy, and amazing character work, all in this teeny-tiny space of, like, seven minutes. I would watch a full-length feature trilogy expansion of it though, it's just - stylistically SO COOL, and the backstory (with the photos at the end) took my breath away. I don't think it can be purchased online at this time which is unfortunate because I want to tell everyone in the world to a) watch it, because it is so good, you want it in your eyeballs if you do visual media at all, and b) nominate it for the Hugo Dramatic Short-form (I usually try to stay away from "you should nominate this" language, but I just want everyone to get to know about it!).

The Good Dinosaur, the movie it screened with, is not so exciting. Phenomenal photorealistic nature animation but the story was pretty by-the-numbers. Which is fine - "some cute moments and nothing really obnoxious" is not a bad kids-movie experience - but it's too bad that Sanjay's Super Team might not have gotten as many in-theater views because it got paired with a less-enticing feature.
psocoptera: ink drawing of celtic knot (ha!)
Interstellar was *so bad*, like, what if they let M. Night Shyamalan remake 2001.

Magic Mike XXL on the other hand was a lot of fun, starring Channing Tatum's arms as the leaders of a merry band of sex elves traveling the American South to make sexually repressed women smile. It's simpler and more optimistic than the first one, still not really about eroticism as much as a sort of intersubjective performance of sexuality that's a whole lot of layers removed from actual sex. (Fun questions of "who is the consumer" - the women who are chosen to be the 'guests' of the various strip acts are sometimes being "proven" to themselves to be worthy of sexual attention, sometimes to other women in the audience, sometimes they're pretty much being used as props for the male dancers showing off for themselves or each other.) There were a few moments with actual passion - Tatum's first dance at the beginning, alone in his workshop when a song comes on the radio he used to dance to - that was hot. And a couple of moments at Domina, when Tatum kneels for Rome and kisses her hand, and when he first watches tWitch dance with obvious fascination/desire. Well, I thought it was obvious; they got *so close* to doing something interesting with it at the end, with the mirror dance, but I just didn't feel it with the choreography there. Good movie but needed more homoeroticism (probably my standard review to be honest).

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