Jun. 24th, 2017

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Not Your Sidekick, C.B. Lee. Charming teen superhero YA science fiction romance. I suppose technically this is authorities-with-secrets but, I don't know, it never made me roll my eyes about it? Like there were reasons that these particular kids ended up in a position to uncover the lies and fight the system other than Their Innate Teen Resistance To Conformity or whatever. Anyways, I thought it was all pretty obvious but fun and nice and had some good character beats and I appreciate recommendable happy queer teen romance. I mean, adult readers might find it too young for them, but I like there being Good Books For Teens out there, if that's not too patronizing. I mean, I can see some young bisexual Asian girl being like "holy shit A Protagonist Like Me, and she gets the girl, eeee", I don't think we're even at the point yet where we have an abundance of those. I certainly remember compulsively rereading every teen romance I could get my hands on where the girl was taller than the boy (the pattern of many of my early crushes), which was, like, one Sweet Valley High novel and a novella in a collection I've never been able to track down again. Anyways, it turns out this is the first of a trilogy and the next one's going to focus on the trans shapeshifter character, yay.

When The Moon Was Ours, Anna-Marie McLemore. I picked this up because it won the 2016 Tiptree, and I admit I found it very slow going for awhile. Super-poetic magical realism family drama angst romance. I did eventually get through it and did enjoy some of the imagery and language, and how it unfolded, but I still kind of think it could have been about half as long for the actual story. But, much like the previous book, that may be because this book was not For Me; I totally think some young trans person is going to read this and it's going to be Their Book, the thing they write quotes from in their journal and get tattoos of when they turn 18, or at least put on their list of their ten books that most explain who they are. Older YA, if only because I'm not sure younger YA readers would have the patience for the style.

The Lotterys Plus One Emma Donoghue. Did I randomly find a book about a poly family on my library's middlegrade new books shelf? I *did*! Well, it turns out the two dads are married and the two moms are married and they're probably not polying much except to live in one giant house and have kids together, but, like, I am not trying to erase the distinctions here between romantic and familial love, but a middlegrade book probably isn't going to get much into that distinction anyways. This book is definitely from the wish-fulfillment-fantasy genre one might call "what kind of life would we make if money was no object" - there is an enormous lottery win in the backstory - and would probably make a fascinating period piece for people outside the contemporary-liberal cultural context, either past or future. The Lottery dream life is joyously racially and ethnically diverse, warmly accepting of disability and difference (we are very overtly taught the word "neurodiversity"), self-consciously Wacky (so many cutesy names and misheard words) and Unstructured (so much homeschooling) and Literate (some of the books that get name-dropped seem more random than others). I was... not entirely convinced on the main theme about adjusting to accepting a grandpa with dementia into their family instead of finding a dedicated care facility for him... his dementia is conveniently at just the right stage to elide some of the more gritty burdens of caregiving, and his racism and homophobia conveniently soften once he gets to know everybody (there is probably a book to be written that seriously grapples with the question of asking minor children to endure microaggressions in their own home in the name of non-institutionalized caregiving/loving generously, but it wasn't quite this book. probably needs to be own-voices.). And there's a few bits of other weirdness (an AFAB kid who says they're not a girl but is still given she/hers pronouns because they also don't claim to be a boy... I swear we have a good third pronoun for this situation...). But overall it was sweet and goofy and I've always had a fondness for the wacky slice-of-life adventures of characters with an abundance of family and money, going back to, like, Eight Cousins and Cheaper By The Dozen (which both have some uncomfortable racist content as I recall so yay for contemporary readevenvaguelyalikes). If you ever thought it would be cool if Dykes To Watch Out For and the Ramona Quimby series had a baby and it was a feelgood middlegrade, here you go!
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I don't think I ever posted about this - I honestly can't remember now if I heard about the winners when they came out in May or not.

Anyways, Nebula winners!

All the Birds in the Sky beat Obelisk Gate and Ninefox (and other things) for Novel; that was (and remains) my prediction for the Hugo as well.

Every Heart a Doorway beat Dream-Quest, Black Tom, and Taste of Honey for Novella, which is also my prediction for the Hugo. (Also, whoops, never read Runtime, I should do that.)

"The Long Fall Up", which I have not read (was in F&SF), won for Novelette, beating "Jewel&Lapidary" and "Surely Drown Here" (my prediction for the Hugo). Okay.

"Seasons of Glass and Iron" beat "Our Talons" and "Fist of Permutations" for Short Story, making me more optimistic it can beat them on the Hugo ballot too (I had predicted "Our Talons" but without confidence.)

Arrival beat Rogue One for Dramatic but I think Hidden Figures is going to pull more from Arrival than Rogue One on the Hugo ballot.

Arabella of Mars beat Newbery winner Girl Who Drank The Moon for the Norton. (Goal for next year: HAVE READ SOMETHING NOMINATED FOR THE NORTON.)

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