May. 8th, 2017

psocoptera: ink drawing of celtic knot (Default)
The Girl Who Drank The Moon, Kelly Barnhill, 2017 Newbery. A fairy tale type fantasy that's mythic at its best, uncompelling at its worst - "plotless" would be the wrong word, there's a pretty satisfying core story, but there's not a lot of action, and particularly not of the rising action/falling action sort. The story sets itself up, and then about where I started to expect some kind of breakout that would catapult us into a more urgent, immediate storytelling mode, just kept right on unfolding in a sort of methodical, sometimes repetitive way, until eventually all the pieces came together in the sort of "Janet? Brad! Janet? Dr. Scott!" climax that I'm not even considering a spoiler, because, look, this is middle grade, Romeo's not passing the messenger on the road back from Mantua here. There are some good strands of the plot web meanwhile, though; this is probably the best take on the mother-whose-child-is-taken fairy tale trope I've ever seen, with a mother who refuses to vanish quietly out of the story. And I feel like the characters and metaphors in general might have more power for actual older-middle-grade readers, who might also have fewer expectations about pace and tone? Or maybe not. I wonder if it might actually be the right amount of story for a movie - maybe a bit too much backstory, but it would be gorgeous in, like, a Miyazaki adaptation (and already in the right tone, you wouldn't need a dubious tonal shift like the Howl's Moving Castle adaptation, this is right along the emotional lines of Spirited Away. Oh, man, now that this has occurred to me my brain is redrawing my vague mental pictures of all the characters into anime designs and it's *perfect*.)
psocoptera: ink drawing of celtic knot (Default)
Volume 6 being the one presently up for a Hugo. I had last read Saga back in 2015 when volume 3 was nominated, so I started with 3 again and caught up. I'm not sure I recommend doing that - on the one hand, it's super page-turny, so not putting it down is a good solution to the problem of not wanting to put it down, on the other hand, it started to feel a little formulaic, in the pacing of the introduction of new characters/character deaths so that the cast size doesn't become completely unmanageable? And reading so much of it at once, it was hard to not start asking questions like "is there really a point to all this soap opera", which I think is an unfair question - is there a "point" to Girl Genius, or Astro City (which I just found out is apparently going again and has been for awhile), or Firefly, or any other serial story? But possibly it would be more fun to be reading Saga issue by issue, caught up in all the immediate dramas, speculating with other fans about what could happen next, etc.

I didn't do that, though, so here I am. I haven't read the rest of the nominees yet, but I strongly suspect it's going to be hard for a middle volume of a serial to compare with the introductory, world-establishing Volume One of something new, and there are four of those on the ballot. Saga vol 6 has some good beats but it's not like the Big New Idea rush of plunging into the story in the first place.

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